“You’ve been thinking,” Joan accused her. “What’s put all that into your head?” Even Mrs. Grundy herself couldn’t object to a journalist dining with a politician!!

“How does one know when one is serving God?” she asked after a pause, apparently rather of herself than of Joan. “It seems so difficult.” “I’m afraid I’m an awful nuisance to you,” he said. “I get these moods at times. You’re not angry with me?”

Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. Folk had fixed up a party at his studio to meet her. She had been there once or twice; but this was a final affair. She had finished her business in Paris and would be leaving the next morning. To her surprise, she found Phillips there. He had come over hurriedly to attend a Socialist conference, and Leblanc, the editor of Le Nouveau Monde, had brought him along. Once, when their pathway led through a littered farm-yard, he had taken her up in his arms and carried her and she had felt a glad pride in him that he had borne her lightly as if she had been a child, looking up at her and laughing.